Foucault Society April 12 Colloquium: Kelsey Borrowman, "Plasticization, Necrophilia, Foucault"

Kelsey Borrowman

"Plasticization as Necrophilia:
Death, Decomposition and the Inorganic in Foucault"

Thursday, April 12, 2012

7:30-9:30pm

CUNY Graduate Center
365 Fifth Avenue, Room 5409
New York, NY

Open to the public.

Suggested donation: $5

Wine and light dessert will be served.

RSVPs are appreciated. Email: foucaultsocietyorg@gmail.com

For abstract and speaker bio, see below or go to our website: www.foucaultsociety.org

Abstract:

Throughout his work, Foucault wrestles with the notion of biopolitics, which can be defined broadly as the politics of and over life. This essay investigates the politics of death within life, specifically concerning the concept of plasticization, in order to illuminate contemporary society’s desire for an inorganic “body.” I root the discussion within The Birth of the Clinic and Foucault’s analysis of the development of a new concept of “death.” Just as we understand life as permeable by death, I propose that the dying or decomposing body, a remnant of the living body, is death permeated by life. I expand Susan Bordo’s discussion of plasticization to include not only forms of body modification like plastic surgery, but also the broader societal pressure to "look young." I propose that plasticity–an obsession with the non-decomposing, un-aging body–is, by definition, necrophilia. In the paper’s final section, I turn to the implications of my argument for biopolitics. Should we view plasticization as part of a technology of governing bodies? Connecting Foucault and Bordo, I argue that it is through plasticization as necrophilia that the sovereign regains a “right” to life and death. As a consequence, we see that death is not the last remaining region of freedom from the sovereign. Plasticization entails new techniques of power and makes already established techniques more prominent and invasive. Following Bordo, who addresses claims that the feminine body is not of political concern, I show the extent to which plasticization is political by illuminating how our obsession with the “dead” body has given the sovereign a new “right” over life.

Speaker Bio:

Kelsey Borrowman is a Master of Arts candidate in the Philosophy & Arts program at Stony Brook University. She has presented versions of her paper, "Plasticization as Necrophilia," at the Foucault Circle annual conference in Buffalo, NY; the NY Society for Women in Philosophy workshop (SWIPshop) in NYC; and the Radical Foucault conference at University of East London.

A Talk Presented by NYU's Romanticist Reading Group, 4/18

The NYU Department of English &  
The Romanticist Reading Group of NYU 

(nyurrg.org) 

PRESENT:

"Modern Nature; or, Imagination Revisited"

Anahid J. Nersessian (Presenter, Columbia English and Comparative Literature)

Maureen N. McLane (Respondent, NYU Department of English)

20 Cooper Square, 4th Floor Flex Space

Wednesday, April 18th

6 - 8 pm

**Snacks and wine will be served**

"This talk suggests some new possibilities for ecological critique by revisiting the familiar, gently antiquated concept of the Romantic imagination. Through readings of William Cowper, Dorothy Wordsworth, and the late-Romantic artist and filmmaker Derek Jarman, I propose a return to literary and aesthetic questions about how we imagine, represent, and make sensible phenomena which are intermittently or not at all available to the senses." 

- Anahid J. Nersessian

CFP: The Crisis of the Book: Worlds of Opportunity, Worlds of Change (Reed College, Due 6/1)

The Crisis of the Book: 

Worlds of Opportunity, Worlds of Change

October 18–20, 2012

Portland, Oregon

Hosted by the Reed College 

Master of Arts in Liberal Studies Program

call for papers/presentations

2012 annual conference

In the current electronic age, a few keystrokes will deliver vast amounts of information instantly and allow us to communicate with a wide audience indiscriminately. In this changing landscape, what is the role of the printed book as transmitter of knowledge and as material object? Revolutions in technology throughout history have changed the way we receive and process information, even the way we think about ideas. From scroll to codex, printing press to computer screen, just as familiar modes of communication disappear, new possibilities and opportunities take their place. This interdisciplinary conference will place the transformation in print culture in a historical framework, and will reflect upon the changing nature of text delivery and the experience of reading. 

How is knowledge produced? What role does the text play as cultural, material, and sacred object? How do we “read” historically, culturally, popularly, and what is the future of the practice of reading? What is the place of the modern library in the electronic age? How does the new field of media studies reflect evolving social contexts?  How do we “see” graphic novels or navigate through hypertext fiction? What questions concerning copyright and intellectual property does the digital age raise? 

The 2012 AGLSP Annual Conference invites papers addressing how knowledge and ideas are produced and disseminated. In this context, we welcome a broader definition of “text” to include electronic, film, pictorial, etc. Special consideration will be given to submissions which address the integration of this theme into Liberal Studies curricula and classes.

Paper presentation should be 20 minutes long with an additional 5 to 10 minutes for questions. Please submit a one to two page abstract electronically to Barbara Amen (bamen@reed.edu), MALS director at Reed College, by June 1. (Be sure to write “AGLSP Submission” in the subject line.) Also, please include multi-media requirements, although we encourage presenters to give judicious consideration to the effective use of PowerPoint. Additional conference information at aglsp.org

"Walt Whitman's Faces": NYU, 3/27

The New York University

Colloquium in American Literature and Culture

presents

Walt Whitman’s “Faces”:

A Typographical Reading

Tuesday, March 27, 6:30 p.m.

19 University Place, Great Room

Internationally recognized letterpress artist Barbara Henry and Whitman scholar Karen Karbiener offer a first look at their collaborative effort, a letterpress book introducing a “typographical reading” of Whitman’s poem, “Faces.” Karbiener will discuss the poet’s interests in physiology, phrenology, and the faces he encountered on the streets of New York. Henry will present Whitman’s peculiar fascination with typefaces and relate how his work as a printer inspired her innovative setting of the poem.

www.nyucalc.com

NYU Anachronic Shakespeare Poetics & Theory Conference at NYU: Feb 24-25

You are cordially invited to the annual conference of the NYU Poetics and Theory Certificate Program:

Anachronic Shakespeare
A Poetics and Theory Conference
February 24-February 25, 2012
New York University
Jurow Hall, Silver Center
24-26 Waverly Place at Washington Square East
New York, NY 10003

Friday, February 24th

10:00 Welcome

10:15 John Archer, Shakespeare's Poor Beast (English, NYU)

11:45 Stuart Elden, The Geopolitics of King Lear: Territory, Land, Earth (Geography, Durham University)

2:30 Vike Plock, Made in Germany: Joyce Reading Goethe Reading Hamlet (English, University of Exeter)

3:45 Rebecca Comay, Hamletizations (Benjamin, Schmitt.....) (Philosophy, University of Toronto)

5:30 Keynote: Samuel Weber, Forgetting the Hobby-Horse: Hamlet Between Schmitt and Benjamin
(Comparative Literature, Northwestern University)

6:30 Response by Julia Lupton (English, UC Irvine)

Saturday, February 25th

10:00 Anselm Haverkamp, Life in the Sonnets: On Life’s Anachronic Nature (English, NYU)

11:15 Julia Lupton, Softscapes: Shakespeare by Design (English, UC Irvine)

2:00 Closing Roundtable

Sponsored by the DFG Graduiertenkolleg Lebensformen und Lebenswissen
(Graduate Research Colloquium in Forms of Life and the Know-How of
Living), the NYU Certificate in Poetics and Theory, and the NYU
Comparative Literature Department.

http://poeticsandtheory.wordpress.com

Conference organized by Elizabeth Bonapfel, Martin Harries, Anselm

Haverkamp, and Daniel Hoffman-Schwartz.

Call for Submissions: The L Magazine Wants Your Short Fiction

Call for Submissions: The L Magazine Wants Your Short Fiction

The L Magazine is proud to announce our eighth Literary Upstart, The Search for Pocket Fiction competition.

Writers are encouraged to submit their previously unpublished short fiction (a maximum of 1,500 words).

Semi-finalists, fifteen in total, will be invited to participate in one of three readings in Williamsburg, in front of a live, lively audience, and a panel of judges comprised of members of the local literati.

The three semi-final winners will advance to our final reading, where they'll vie for a cash prize, and publication in The L Magazine's annual Summer Fiction Issue.

Submission deadlines are on a rolling basis for the three semifinal readings, which are scheduled for late March, April and May.

Submission guidelines:

Entries (please limit yourself to two submissions) should be polished little labors of love of no more than 1,500 previously unpublished words. Content, style, subject, et cetera is at the discretion of the writer.

Kindly email submissions as an attached Word document in a standard, 12-point font to:
literaryupstart [at] thelmagazine [dot] com

While curlicues and bubble fonts make us blush, they also make our poor eyes bleed, so please keep it simple and please double space. Please include your name, the title of your story, and your email address, at least on the first page your story and perhaps even on subsequent pages.

Last, but not least, please remember that the live readings are a major component of this competition, so if you're not living in the NYC area or cannot arrange to be here for a reading or two between March and June, you may wish to reconsider submitting your work.

Happy Writing,

The L Magazine
literaryupstart [at] thelmagazine [dot] com

Jennifer Egan: Rewiring the Real (Conversation at Columbia, 2/7)

Columbia University is sponsoring a conversation with the author Jennifer Egan. Read on for an event description and links to further information.

_____________

Jennifer Egan: Rewiring the Real

Tuesday, February 7th, 2012, 6:30 pm to 8:00 pm
International Affairs Building, Room 1501
420 West 118th Street

A conversation with Jennifer Egan, Pulitzer Prize-winning author of A Visit From the Goon Squad as well as Look at Me and The Keep. Moderated by Willing Davidson, fiction editor of The New Yorker.

Rewiring the Real is a yearlong series of conversations with writers about the interplay of literature, technology and religion, including Mark Z. Danielewski on April 24.

Poe Showcase - Thursday, 12/1

Community members and NYU students will come together to showcase an array of artistic mediums in celebration of Edgar Allan Poe. Drama, readings, animation and artwork are just a few of the creative expressions that will highlight the life and work of this mysterious story-teller. Reception to follow in the Poe Room. This event is free and open to the public. Please bring photo ID for entry. Click here to print a flyer for this event. Thursday, December 1, 2011 6:00 - 8:00 PM NYU's School of Law Furman Hall, Room 216 245 Sullivan Street New York, NY 10012 (between West 3rd Street and Washington Square South) RSVP to NYU's Office of Government and Community Affairs at 212.998.2400 or community.affairs@nyu.edu. Sponsored by: NYU's Office of Government and Community Affairs and Lois Rakoff, Community Director of the Poe Room

Elizabeth Bishop Centennial Conference: This Thursday and Friday (12/1; 12/2) at Gallatin

To the NYU and NYC Community:

Please join the Gallatin Writing Program at: VISIONS COINCIDING: An ELIZABETH BISHOP CENTENNIAL CONFERENCE, THIS THURSDAY, DECEMBER 1ST and FRIDAY, DECEMBER 2ND.

Co-organized by the NYU Gallatin School of Individualized Study and the Poetry Society of America, with the support of the NYU Humanities Initiative.

FREE & OPEN TO THE PUBLIC at the Jerry H. Labowitz Theatre for the Performing Arts, 1 Washington Place

THURSDAY, 12/1

6-6:45 pm: Seeing Elizabeth Bishop, by Eric Karpeles

7-8:30 pm: Bishop in Brazil Screening & Discussion, by Helena Blaker, Brett Millier, Barbara Page, and Lloyd Schwartz, with Alice Quinn

FRIDAY, 12/1

1-2:30 pm: Elizabeth Bishop and Modern Art, by William Benton and Peggy Samuels, with Lisa Goldfarb

3-4:30 pm: Editors' Roundtable, by Joelle Biele, Saskia Hamilton, Lloyd Schwartz and Thomas Travisono, with Jonathan Galassi

5-6pm: Gallatin Poet/Poetry Teacher and Student Poetry Reading, by Emily Fragos, Scott Hightower, and students Jacqueline Allen, Emma Behnke, Stephanie Rodas and Luke Vargas

6:30-8 pm: Celebratory Poetry Reading, by Frank Bidart, John L. Koethe, Yusef Komunyakaa, Maureen McLane, Mark Strand and Jean Valentine

RSVP & questions: WP Coordinator Molly Kleiman, mollykleiman@nyu.edu

Two American Lit and Culture Talks at NYU Tomorrow

The New York University

Colloquium in American Literature and Culture

presents

Reading the Century Illustrated Monthly Magazine: American Literature and Culture, 1870-1893

A talk by Professor Mark Noonan of New York City College of Technology (CUNY)

and

The New York World, The Cosmopolitan, and the Race to Write the World American

A talk by Professor Kevin Riordan of NYU Abu Dhabi

Tuesday, November 29

13-19 University Place, Great Room

New York University

6:00 p.m.

All are welcome!

Refreshments will be served.

Draper Alumna Kathleen Reeves Published in the Journal of Religion and Culture

Congrats to Kathleen Reeves (May 2011) whose article "Bodied Time and Ghosted Narrative in The Body Artist" was published in Concordia University's Journal of Religion and Culture in September. Kathleen presented the article as a paper at Concordia's 16th annual Interdisciplinary Graduate Conference "Crossroads and Borders," in February. She attended the conference with additional assistance from one of Draper's Travel Grants, which she was the recipient of in November/December 2010.

Kathleen's article can be downloaded in .pdf format from the journal website, here. (Her article is second to last in the issue.)

Talk & Book Signing

The Coles Science Center and the NYU Libraries Information Futures Group present:

"THE INFORMATION: A History, A Theory, A Flood"

A talk and book signing by author James Gleick

DATE: Wednesday, October 5, 2011
TIME: 5:30-7:00PM
LOCATION: Bobst Library, 3rd floor, Fales Reading Room, 70 Washington Sq S, New York, NY

James Gleick, author of the best sellers Chaos and Genius, will discuss his bestselling new book, The Information: A History, A Theory, A Flood.

From the invention of scripts and alphabets to the long-misunderstood talking drums of Africa, Gleick tells the story of information technologies that changed the very nature of human consciousness. His compelling characters include Charles Babbage, the idiosyncratic inventor of the first great mechanical computer; Ada Byron, the brilliant and doomed daughter of the poet, who became the first true programmer; pivotal figures like Samuel Morse and Alan Turing; and Claude Shannon, the creator of information theory itself. And bringing us up to date in a time when we often feel we are drowning in a deluge of information, Gleick tells us how we got here and where we’re heading.

The Information will be available for sale on site by the NYU Bookstore, and the author will be signing copies.

**RSVP required: http://tinyurl.com/GleickRSVP

Seating for this event is on a first come, first served basis. For more information, please contact Jill Conte at jill.conte@nyu.edu.

Romanticist Reading Group - 9/29 Event

The NYU English Department's Romanticist Reading Group cordially invites you to its first meeting of the semester on Thursday, September 29th from 6:30 to 8 pm:

Romanticism and the Visionary Poetry

Location: The Silver Building, Room 507

Time: 6:30 - 8 pm

Wine and Snacks will be served

We will examine selections from William Blake and S.T. Coleridge and begin the discussion with a talk about the Visual, the Visions and the Visionary in Romantic Poetry. If interested, please email Omar F. Miranda at ofm203@nyu.edu for the readings.

We are also seeking new members to assume leadership positions in the group. We are interested in a cross-disciplinary and multi-lingual approach to Romanticism--a legacy living on and on! Any interested student from any field is welcome: Not only limited to 18th and 19th Century Studies. Please email ofm203@nyu.edu

To Sunny Pleasure Domes with Caves of Ice!

CFP: NYU Colloquium in American Literature and Culture, Fall 2011

New York University

Colloquium in American Literature and Culture

CALL FOR PAPERS

The Colloquium in American Literature and Culture (CALC) at New York University is pleased to announce a Call for Papers for our Fall 2011 events. CALC is an interdisciplinary forum for the presentation and discussion of new Americanist scholarship by both junior and senior researchers. In the upcoming semester, we will focus on questions of American book history, aiming to provide a forum for those researching topics like material texts, print culture, and reading practices in an American context, broadly construed. We encourage paper proposals by graduate students and faculty that focus on any subject relevant to these fields.

A typical CALC event features two presentations of 20-25 minutes, followed by audience questions and discussion. Sessions are open to the public, and we invite the attendance of all faculty and graduate students, regardless of specialty. For more information, please visithttp://nyugeo.wordpress.com/calc/.

To submit your work for consideration, please email an abstract of your project to Annie Abrams and Blevin Shelnutt at nyucalc@gmail.com by Monday, September 19th. Submission of a CV is encouraged, but not required.

Rebecca Colesworthy NYU Lecture on Poe: May 20th

Positioning Poe:
Purloined Letters, Counterfeit Coins, and Other Modern Fictions

A lecture by Professor Rebecca Colesworthy

Friday, May 20th
6:00 PM - 8:00 PM
NYU's School of Law - Furman Hall,
245 Sullivan Street, Room 216

Reception to follow lecture.

Please RSVP to community.affairs@nyu.edu

How might literature be like money and money like literature? What is the relevance of economic notions of “credit,” “value,” and “exchange” to literary studies? What is the relationship between events in economic history (such as financial crises) and processes of artistic and intellectual production?

This talk positions the work of Edgar Allan Poe within a transnational and interdisciplinary tradition of reflecting on the strange connections between literary and monetary forms of representation. While Poe’s work is productive for pondering the formal and thematic intersections between art and commerce, reading his work in light of these intersections helps us to reconsider Poe’s gender politics—namely, his notorious claim that the most poetical topic in the world is the death of a beautiful woman.

NYU Colloquium in American Lit & Culture: Revolutionary Allegory and the Burdens of Memory/ Fifty Years of Exilic “Returning” to Cuba (April 20)

Former Draper student Omar Miranda will be participating in this week's Colloquium in American Literature & Culture:

Emma Stapely (UPenn)

Strains of Compunction: Revolutionary Allegory and the Burdens of Memory in Susanna Rowson’s Charlotte Temple

and

Omar Miranda (NYU)

Beyond Memory and Dreams: Fifty Years of Exilic “Returning” to Cuba

Wednesday, April 20

13-19 University Place, Great Room

New York University

6:00 p.m.

All are welcome!

Refreshments will be served.

For more information: www.nyucalc.com

NYU Colloquium in American Lit & Culture: April 13

Cosmopolitanism
as a Mode of Resistance
in Jane Addams’s Writing

A talk by Sarah Wilson of the University of Toronto

Writing Immigrant Aid:

Lillian Wald and the Problem of Representation

A talk by Laura Fisher of New York University

Wednesday, April 13

13-19 University Place, Great Room

New York University

6:00 p.m.

All are welcome!

Refreshments will be served.

Sarah Wilson is Associate Professor in the Department of English at the University of Toronto and author of Melting-Pot Modernism (2010). Her research focuses on American literature of the turn of the twentieth century, taking up the intellectual history of immigration, cosmopolitanism, and political reform.

Laura Fisher is a doctoral candidate in the Department of English at NYU.

Presented by the colloquium in american literature & culture

and the NYU Modern Colloquium

Former Draper Faculty Fellow at CUNY Postcolonial Studies Group Colloquium Series (4/1)

Nicole Rizzuto, Draper's former faculty fellow in Literary Cultures, will be giving a talk as part of the CUNY Graduate Center's Postcolonial Studies Group Colloquium Series on April 1st. More information is below.

***

The CUNY Graduate Center Postcolonial Studies Group Colloquium Series 2010-2011

Nicole Rizzuto

Oklahoma State University

Confession and the Juridical Crisis of the Colonial State in Ngũgĩ wa Thiong’o’s A Grain of Wheat

Ngũgĩ wa Thiong’o’s A Grain of Wheat (1967) circles around the Emergency in Kenya, a traumatic historical event of anticolonial insurgency and counter-insurgency. In detailing this period of indefinite detention and torture undertaken in the name of a benevolent civilizing mission, the novel states that the struggle over two specific losses suffered under British colonialism are at the heart of the Emergency. Those losses are land and freedom. And yet, the work’s formal strategies simultaneously challenge this direct statement by indirectly constituting the Emergency as an event whose losses exceed that of territory and control of the polity; the Emergency is staged also as a crisis of the juridico-legal order by which the category “human” becomes the contested site of, and justification for, exceptional state violence. Placing Ngữgi’s writing in conversation with Judith Butler’s and Giorgio Agamben’s theorizations of sovereignty and bare life in modernity reveals how the novel might displace a Euro-centered trajectory in Trauma Studies. By elaborating a state of exception in Africa under colonial rule, A Grain of Wheat both calls for and enacts what Michael Rothberg terms “multi-directional memory,” by which the insights of Holocaust studies and postcolonial studies illuminate each other while addressing the ethico-politics of responding to occluded pasts.

April 1^st at 2 p.m.

CUNY Graduate Center, Room 5409

All are welcome

Nicole Rizzuto is Assistant Professor of English at Oklahoma State University. She has published on issues of testimony and trauma in journals such as World Picture and Contemporary French and Francophone Studies, and is completing a book manuscript entitled Spectral Witnesses: Testimony, Historical Memory, and the Modern Novel.

The CUNY Graduate Center is located at 365 Fifth Avenue, New York, NY 10016.

The Postcolonial Studies Group is a chartered organization of the Doctoral Students' Council. Please visit our website at www.opencuny.org/psg. Questions? Email Lily Saint at lsaint@gc.cuny.edu

Comp Lit Talk, 3/28: The Secret Literature of the Last Muslims of Spain

We’re very pleased to announce the following talk co-sponsored by the Departments of Comparative Literature and Spanish and Portuguese.

Luce López-Baralt

"The Secret Literature of the Last Muslims of Spain"

Monday, March 28

5-7:00 pm

408 Silver Building

(100 Washington Square East)

Luce López-Baralt, one of the foremost scholars of Muslim Iberia, is professor of Spanish and Comparative Literature at the Universidad de Puerto Rico. Her many books, editions, translations and articles explore the mystical literature and religious practices of Spain and al-Andalus, from the late medieval to the early modern periods and the Spanish Golden age; they have been translated into French, English, German, Dutch, Arabic, Urdu, and Persian. Her recent studies of the cultural production among the morisco of Spain have transformed the scholarly understanding of those populations. López-Baralt has taught as a Visiting Professor at universities in South America, North America, Europe, North Africa, the Middle East, and South Asia.

A Celebration of Czeslaw Milosz (Polish Institute of NY): 3/21

A CELEBRATION OF CZESLAW MILOSZ WITH CLARE CAVANAGH, ROBERT HASS, AND ADAM ZAGAJEWSKI Czeslaw Milosz's "trust in the delicious joy-bringing potential of art and intellect was protected by strong bulwarks built from the knowledge and experience that he had gained at first hand and at great cost." - Seamus Heaney, 2004 The Polish parliament has declared 2011 the Milosz Year in honor of one of Poland's greatest cultural figures, and the Polish Cultural Institute in New York is honored to announce the first US event in an international celebration of the centennial of the birth of Nobel Prize winning poet, essayist, translator, and scholar, Czeslaw Milosz (1911-2004). The Unterberg Poetry Center, which hosted six readings by Czeslaw Milosz during his lifetime, now in collaboration with the Polish Cultural Institute in New York have invited Milosz's friend and Berkeley colleague, poet Robert Hass, translator and Milosz biographer Clare Cavanagh, and one of the most important contemporary Polish poets also dividing his time between Poland and the US, Adam Zagajewski, to read and reflect upon the poet's life and work at the 92nd Street Y. One hundred years after his birth, fifty-seven years after the publication of his seminal essay [The Captive Mind], Milosz's indictment of the servile intellectual rings truer than ever: "his chief characteristic is his fear of thinking for himself." - Tony Judt, New York Review of Books, 2010 Branded a "catastrophist" by critics of his early poetry in the 1930s, publishing underground at great risk during the Second World War, challenged by leftist intellectuals in Paris in the 1950s for seeking asylum from the Polish Communist government, criticized by Polish emigres for having served as a diplomat in the same government, joining the anti-war movement at Berkeley in the 1960s, and questioned by conservative Catholics as a heretic at his burial, Czeslaw Milosz lived a full life as an independent thinker and as an inspiration to others struggling against the prevailing forces in their own contexts. Milosz spent over 40 years in the United States, becoming an important figure in the West Coast poetry scene, across the country, and throughout the world, and many of the Milosz Year events in the United States in 2011 will focus on his time in America and his American legacy. 2011 MILOSZ YEAR USA Calendar Mon, Mar 21, 2011 8:00 PM The Unterberg Poetry Center 1395 Lexington Avenue New York, NY 10128 Tickets: $19//$10 age 35 and under $10 online with discount code "POLE" Tel. 212.415.5550 Additional Event: Wed, Mar 23, 2011 5:30 PM Lyric Poetry and Modern Politics: Russia, Poland, and the West. A lecture by Clare Cavanagh on Milosz, Szymborska, Akhmatova, and Mandelstam NYU The Humanities Initiative 20 Cooper Square 7th Floor New York, NY 10003 Tickets: Free and open to the public Tel. 212.998.2190

Polish Cultural Institute | 350 Fifth Avenue | Suite 4621 | New York | NY | 10118

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